Evidence shows that changes in the architecture, design, and decor of health care facilities can improve patient care and in the long run reduce expenses. These essays detail the state of the research, look inside two hospitals that put some of these innovations into practice, and consider how design fits into the moral mission ofhealth care.

In ‘L'Animal que donc je suis’, Derrida analyzes the paradoxical use of discourses on shame and original sin to justify the human domination of other animals. In the absence of any absolute criterion for distinguishing between humans and other animals, human faultiness becomes a sign of our exclusive capacity for self-consciousness, freedom and awareness of mortality. While Derrida's argument is compelling, he neglects to explore the connection between the human domination of animals and the male domination of women. Throughout ‘L'Animal’, (...) Derrida equivocates between ‘man’ and ‘humanity,’ and between the biblical figures of Ish and Adam. In so doing, he repeats a gesture that he himself has insightfully criticized in other philosophers, such as Levinas. By articulating the distinctions that Derrida elides, I suggest a way of reading Genesis which avoids this difficulty, but also continues Derrida's project. (shrink)

Aus dem Inhalt: Die Wissenschaftslehre als System der unvollendeten Vollendung (Sven Juergensen). - Fichtes Wechselwirkung und der implizite Hoerer der Wissenschaftslehre nova methodo (Guenther Zoeller). - Die Begrenzung: vom Anstoss zur Aufforderung (Jacinto Rivera de Rosales). - Die Idee des Leibes im Jenaer System (Virginia Lopez-Dominguez). - Fichtes politische und Rechtsphilosophie in der Deutung Richard Schottkys (Carla de Pascale). - Gibt es bei Fichte eine transzendentale Anthropologie? (Jose L. Villacanas).

To the extent that philosophy deals with the blush, it is almost always as the pink blush of shame. Such is philosophy’s seeming obsession with the latter, there remains the risk of something important being lost in translation when it comes to those examples in the literature that mention the blush. I intend to focus on one such example, a scene from Robert Antelme’s The Human Race, the story of the student from Bologna, in which Antelme describes the student’s blushing (...) response to being randomly selected by an SS soldier from a bedraggled line of prisoners for a roadside execution. I will turn to Lisa Guenther and Giorgio Agamben for their reading of Antelme’s account, not, I should stress, to evaluate their respective analyses of shame, but that which may have been overlooked as a result, namely confusion. I will turn also to Jean-Paul Sartre, again, not in relation to shame, rather for his brief, but no less important, phenomenological account of blushing. I will refer to recent social psychology research suggesting that confusion is a knowledge emotion – something like embarrassment. All this in support of the argument, that when Antelme writes of the student – ‘ Il a l’air confus’, we are bound to take them both, the student and Antelme, the blusher and the beholder, at their word – to maintain our distance so that the scene might speak for itself and in so doing reveal signs of life. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 7, Page 977-991, September 2022. To the extent that philosophy deals with the blush, it is almost always as the pink blush of shame. Such is philosophy’s seeming obsession with the latter, there remains the risk of something important being lost in translation when it comes to those examples in the literature that mention the blush. I intend to focus on one such example, a scene from Robert Antelme’s The Human Race, the story (...) of the student from Bologna, in which Antelme describes the student’s blushing response to being randomly selected by an SS soldier from a bedraggled line of prisoners for a roadside execution. I will turn to Lisa Guenther and Giorgio Agamben for their reading of Antelme’s account, not, I should stress, to evaluate their respective analyses of shame, but that which may have been overlooked as a result, namely confusion. I will turn also to Jean-Paul Sartre, again, not in relation to shame, rather for his brief, but no less important, phenomenological account of blushing. I will refer to recent social psychology research suggesting that confusion is a knowledge emotion – something like embarrassment. All this in support of the argument, that when Antelme writes of the student – ‘Il a l’air confus’, we are bound to take them both, the student and Antelme, the blusher and the beholder, at their word – to maintain our distance so that the scene might speak for itself and in so doing reveal signs of life. (shrink)

Das Verhaltnis von Regel und Fall ist ein Grundthema der Rechtsphilosophie und der juristischen Methodenlehre. Im Zentrum stehen dabei meist Probleme der Regelanwendung. Die nachstehend aufgefuehrten Beitrage zur Tagung der Deutschen Sektion der IVR stellen demgegenueber Fragen der Regelbildung in den Vordergrund. Das Generalthema wird unter Gesichtspunkten der Moralphilosophie, der Rechtsdogmatik, der juristischen Methodenlehre, der Rechtsinformatik und der gerichtlichen Praxis behandelt. Aus dem Inhalt: Einfuehrungsreferat zum Generalthema (A. Kaufmann) u Regel und Fall in der juristischen Methodenlehre (L. Kuhlen/K. Luederssen) u (...) Zur Regelbildung in der Dogmatik des Zivilrechts (J. Schmidt/K. Wietholter) u Das Universalisierbarkeitsproblem in der Moralphilosophie (G. Meggle) u Normbegruendung und Normanwendung in Recht und Ethik (K. Guenther) u Probleme der Regelbildung in der richterlichen Entscheidungspraxis (G. Ellscheid/J. Berkemann) u Stile der Reprasentation juristischen Wissens unter besonderer Beruecksichtigung von Individualisierung und Generalisierung (U. Moncke). (shrink)

Le problème de la formalisation de la logique hégélienne a fait l'objet récemment d'études d'inspiration et d'importance diverses. II y a d'abord le travail d'envergure de Gotthard Guenther sur le projet d'une logique non-aristotélicienne, le long article de Michael Kosok et la note de F. G. Asenjo.